These images try to capture the fluidity in the moment of perception. They push against Barthes’ iconic statement about the fixed moment of the photographed image: ‘What the Photograph reproduces to infinity has occurred only once: the Photograph mechanically repeats what could never be repeated existentially.’ Scorched Earth tries to explode that unrepeatable ‘once’ into a visual experience striving towards the condition of temporality. That explosion unconceals dystopian images of the landscape underscoring current apprehensions surrounding the catastrophic effects of man-made global warming.